
Rothenberg continues to challenge and extend painterly conventions in her spatial and distorted compositions as well as in her exploration of light, color, form and movement. The works feature fragments of the human body, such as heads and hands, along with imagery of dogs and ravens. Juxtaposed against minimal yet heavily worked backgrounds, parts and partial figures are dispersed across the picture planes or cropped at the edge of the canvases. Bodies become shapes, and the tension between figuration and abstraction is heightened.